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My current work is mostly in variations on Raku, with post-fire, pre-reduction sprays of ferric chloride and all sorts of other ingredients. I use a lot of slip trailing, impressions, and employ a variety of materials to do the reductions, including dropped lodgepole pine needles and horsehair from here in Fraser, Colorado. I tend towards geometric, Asian-influenced, labor-intensive, large, and non-functional pieces.